Abstract
How can Christians navigate the kaleidoscopic landscape of devotion to Jesus? In this study, Higton explores what it might mean to worship and follow the Jesus who can wear so many faces and call with so many voices. Higton proposes a high Christology, in which the Word is the image of God's inexhaustible life, the incarnation makes that Word present in flesh that is itself inexhaustible, and the Spirit unfolds this inexhaustible life in a profusion of forms of devotion. Each such form is an improvisation upon Scripture and an experiment in love, and each also fraught with failure. In conversation with Black, womanist, and trans theologies, Higton argues that, for all the problems that beset it, the classical Christological tradition can be a resource for liberative theologies. He also shows that works of doctrinal theology can remain visibly rooted in specific lives and contexts, and oriented towards mercy, justice, and love.