Abstract
The quest for a psychological theory to explain the effects of aesthetic surgery reached its high point in the 1920s with the adoption of Alfred Adler's theory of the inferiority complex. The basis for this theory was Adler's early work in the psychological response of the body to disease and "degeneration". Aesthetic surgeons sought out the Adlerian model rather than a Freudian one as purely psychological while its roots, and their own theories, were clearly somatic in origin.