Abstract
The works of Mohammed Khair-Eddine and Hicham Lasri address social exclusion and minority struggles in their socio-cultural contexts. We aim to study the forms of exclusion in postcolonial Morocco through a comparative approach. The analysis focuses on two works from different genres and periods, with an emphasis on the structures of exclusion. The aim is to study how film and literature subversively address the repression and marginalization of the excluded through poetic, visual, and violent language. A filmic-literary work conveys a rebellious spirit denouncing oppressive power structures, traditions, and institutions. It deconstructs the foundations of the norm and denounces the cruelty of marginalizing the excluded.