Sexual Orientation Identity in Select African and African American Novels

This paper set out to interrogate Sexual Orientation Identity in select African and African American novels, using the Queer theory. Some heterosexual writers inadvertently dwell on queer relationships in their works. Toni Morrison in both The Bluest Eye and Beloved portrayed bestiality/zoophillia, phytophilliac or dendraphilliac, Spectorphilli, incest, rape/molestation, masturbation, polyamorous relationships, homoerotic, homosocial, and heterosexuality. Whereas, Damon Gulet’s In a Strange Room and Sello Duiker’s Thirteen Cents depicted lesbianism, homosexuality and bisexuality. With the likes of Geraldine in Morrison’s The Bluest Eye and Mr Lebowitz in Duiker’s Thirteen Cents, I agree with Tyson on biological essentialism, that the rest of the population is naturally heterosexual. I also agree with other critics that all human beings have the potential for sexual activity that does not fit into heterosexual framework. I share the opinion of social constructionism; that LGBTQ sexuality and heterosexuality are products of social, not biological forces; our societies are fast losing their mores, hence these evil practices. Since patriarchy is the law, no stiff penalty is effected on their wide spread jeopardizing habits. Queerness is a generational destroyer of both moral and humanity. This paper is emphatic that stiff penalties be brought on the practitioners of psychology of peadophile.