Abstract
India is a uniquely rich country thanks to its historical characteristics and complex mixture of different races, cultures and religions. The diversity of the religious groups has particularly affected the decorative arts, which have generated another form of diversity and richness. Every religious group built their own houses of worship and decorated them in accordance with their beliefs because of the close relationship between religion and decoration.
Many buildings containing Turkish overtones have been constructed in India, particularly in Agra, during the Mughal era. The style of Kara Memi, a sixteenth century Ottoman painter, draws attention with the decoration of the buildings constructed during the Shah Jahan era. Of them, the most popular is the Taj Mahal. It is well known that the Ottomans respected and appreciated the artistic characteristics, particularly the architecture, of the region instead of acting in a dominating manner. Thus, we can consider the relationship between the Ottomans and Mughal Empire is similar only in terms of style. Cooperation was present between them, and artistic transfers between these two empires were thus inevitable.