Abstract
This article examines the notion of
dispatrio
as a critical framework for interpreting the works of Vicente Soto, Almudena Vidorreta, and Julio Plaza. Through narrative, poetry, and experimental art, these authors explore experiences of geographical and cultural displacement marked by estrangement, linguistic hybridity, and aesthetic transformation. By bringing into dialogue Francoist Spain, contemporary globalization, and Brazilian artistic avant-gardes, the study shows how
dispatrio
generates an oscillatory movement between diverse cultural poles, reshaping languages, forms, and creative practices.