Abstract
The Ukrainian project «Meta-Physical Time-Space» is researchered to involve it in the national cultural discourse and an analysis of the themes developed within it is made, taking into account the projection of this issues on Ukrainian and world contexts. The contexts involved in the project in Taiwan, Ukraine and the Venice Biennale are mapped. The Ukrainian contemporary art project, created as a continuation of the long-term «Collider» project at the art residence of the Soulang Cultural Park in Taiwan, is analyzed. The multi-vector project and different types of connection with Eastern philosophical thought were revealed demonstrating productive artistic strategies and contributing to the development of contemporary art. The timeline of emergence, gradual development, presentation of elements and exposure of the project within the framework of ARTBATFEST 8 (Almaty Art Center, Almaty, Kazakhstan, 2017), GO-GOLFEST’17 Terra Firma project, in full format at A13 Gallery of the Soulang Cultural Park, Tainan, with photographic part at the A4 Gallery at TiFF-2019, Taiwan, as a pure object at the «Anatomy of Simulacre» exhibition at Modern Art Research Institute of the National Academy of Arts of Ukraine, with video mapping at the Carbon Media Art Festival — 2019 in Kyiv, at the «Carpathian Space» International Festival — 2019, at Art Museum of Prykarpattia in Ivano-Frankivsk, within the RIXC-2019 International Conference at the Latvian National Museum of Art in Riga, in the landscape of the «Olbia» National Historical and Archaeological Reserve and witin «Symbolism» exhibition at the Korsak’s Museum of Contemporary Art in Lutsk in 2019. In an age, where the plurality of truths is reflected in the curves of media-mirrors, intellectual exercises and expositions are an important navigator for orientation. The «Meta-Physical Time-Space» project addresses the issues of the Venice Biennale on global challenges, war and peace, ongoing confrontation of democratic and totalitarian worlds in the era of the algorithm.