Abstract
It has been found that how modern theater is an art that postulates the priorities of a new cultural field and reveals the trajectories of its dynamics in new dimensions. The «Theater of Modernity» strives to be always super-actual and initiates the most effective principles of appeal to the mind. Therefore, a new intonation has been heard recently in the usual many-sided forms of presenting ideas by the theater. It is not defined by the usual framework and is determined by factors of a special order, in particular, the concept of post-dramatism, which carries a new theatrical «enzyme», a new world outlook. The prevailing situation in art highlights the idea of the basics of the formation of the modern image of the world, and therefore denotes the vector of art evolution as a new type of visuality and dominance of the visually oriented art form of the present as such. Thus, modern theater, often referred to as post-dramatic, the nature of which lies mainly in the global trend of separation from the tradition of drama, becomes an influential tool that expands the horizons of heightened empathy and vision in the context of updating the visual strategy. What actually erases the boundaries of traditional artistic aesthetics, deepening the genre-species connection, demanding constant updating of ideas about the possibilities of art and its merging with those areas of life that have never before been perceived in an artistic context.Therefore, a free experiment suppresses tradition and creates an experimental space for stimuli to reflection, rather than sensory perception, an invitation to reflect on the proposed problems, an invitation to take part in a special intellectual ritual. Accordingly, it can be said that stage art embodies in the current situation general invariant trends in the development of a new landscape of culture.In conclusion, we emphasize that this is a statement of a special kind of aesthetics, a special field of art, which can be considered, firstly, a new aesthetic philosophy; secondly, a special artistic space, and thirdly a laboratory of the latest theatrical formulas and forms; fourthly, — both the first, and the second, and the third, — taken together, — as art grafting in a zone of vulnerability.