Allégorie d’une dialectique matérialiste de la figure et du fond au cinéma : La Femme cachée et L’Homme de dos chez Agnès Varda

Enriched recordOpen access

Nathalie Mauffrey

Abstract

No public abstract is available from the verified source records.

Authors

Institutions

No ROR-resolved institution is linked to this work yet.

Provenance

crossref

Confidence 100%

unpaywall

Confidence 95%

doaj

Confidence 92%

datacite

Confidence 0%

Referenced works

No local reference links have been materialized yet.

No local citing links have been materialized yet.