Abstract
This article analyzes the issues of theatrical performances and public holiday directing in organic connection with the experience of our national theater art and the rich traditions of the Uzbek directing school. This school is a fundamental experience formed on the basis of the mutual synthesis of centuries-old national values, rich historical heritage, and modern artistic-aesthetic research. In this very context, the personality of the director appears not merely as a staging creator, but as an important spiritual leader for society, a mentor of youth, and a leading force shaping public opinion. The professional activity of the director, their worldview, and artistic perspectives determine the general ideological direction of mass cultural events.In particular, the mutual harmony of the national idea, civic position, and high aesthetic taste occupies a special place in the directing of independence celebrations, public holidays, historical dates, and cultural festivals. These factors ensure the popularity and accessibility of mass spectacles, determining their significance in modern cultural life and in elevating the spirituality of society.